Archives in the twenty-first century exist in both the dusty basements of bureaucracies and in the flickering personal no-spaces of the internet. Joe Hedges’ gravity-defying configurations of file boxes float in a layered simulacra of intermedia approaches from painting, installation, internet art and video.

Representations of boxes are interrupted by abstract paint drips or digital glitches, serving as reminders of the changing nature of archive space and memory in a digitally mediated world.